A spark ignited across the Philippines, illuminating the talent of a new generation of artists. The 58th Shell National Students Art Competition (NSAC) recently concluded, honoring fifteen exceptional creators whose works responded to the powerful theme of “Alab” – the Filipino word for flame.
This isn’t just another art contest; it’s a launching pad. The NSAC has historically propelled artists like National Artists Federico Aguilar Alcuaz, Ang Kiukok, and Benedicto “Bencab” Cabrera to prominence, and this year’s winners suggest a similar trajectory. What’s particularly striking is the geographic diversity of the honorees, a testament to the contest’s inclusive spirit and the vibrant artistic energy blossoming throughout the nation.
In the Watercolor category, Jonnas Almazar of Bataan Peninsula State University captivated judges with “Odyssey of the Scrap Mariner,” a poignant depiction of a child and a humble, self-made toy boat. The piece speaks volumes about resourcefulness and imagination, a quiet strength born from simple means. Irish Fernandez and Keth Byonnsey Estilo secured second and third place respectively, adding further depth to the category’s showcase.
The Digital Fine Arts category saw Adam Martin De Leon of the University of the East – Caloocan take first place with “Sagwan Math-tatag!” Inspired by his experiences, the artwork confronts the challenges of math education in the Philippines while simultaneously offering a hopeful vision for the future. Sofia Frances De Guzman and Amos Ulang rounded out the top three.
Photography offered a different kind of illumination. Jerry Balanay of Northwestern Mindanao State College of Science and Technology’s “Alab: A Burning Vision of Hope” captured an artist bathed in candlelight, a powerful image of creativity flourishing even in darkness. Jason Mendoza and Shainne Maica Ayap’s works followed closely, each exploring the theme of inner light.
Ivan Joysen Del Rosario of Rizal Technological University’s sculpture, “Pinagtagping Piraso,” resonated deeply with the judges, earning him the first-place prize. The piece is a deeply personal tribute to his grandmother’s struggle with Alzheimer’s, transforming a painful experience into a moving work of art. Jusun Joshua Estoce and Gian Paolo Marchadesch were recognized for their sculptural contributions as well.
Ruth Cenas of the University of the Philippines – Mindanao claimed the top honor in Oil/Acrylic with “Usok na Nagiging Buhay.” The painting portrays a young artist sketching by candlelight, the rising smoke taking the form of a painter – a powerful metaphor for dreams taking shape and futures being built. Don Ace Rabbon and Vilia Crestene Gelaga completed the category’s winning circle.
The competition’s reach extended far beyond Manila’s art scene. Judge Nemi Miranda emphasized the importance of impact, stating he sought artwork with a “strong impact” on the viewer. He also noted the judging process was deliberately blind to the contestants’ backgrounds, ensuring fairness and objectivity.
Abdulmari “Toym” D. Imao, Jr., Dean of the UP Diliman College of Fine Arts, shared a deeply personal story during the ceremony. He recounted his father, National Artist Abdulmari Imao’s, humble beginnings – selling peanuts in Jolo, Sulu, and overcoming immense hardship to pursue his artistic dreams. His message was clear: the journey of an artist is as important as the final work.
Jonnas Almazar, the Watercolor category winner, embodied this sentiment. Overcome with emotion, he expressed his disbelief at winning, dedicating his award to underprivileged children. Inspired by images of children building boats from scrap, a pastime he once shared, he affirmed, “Everything is possible, as long as we believe in our abilities.”
The 58th Shell NSAC wasn’t just about awarding prizes; it was about igniting potential, fostering inclusivity, and celebrating the enduring power of Filipino creativity. It was a resounding call to “Keep the flame burning.”
